Dnevni arhiv: 19. maja, 2018

Luisa’s Compositions: Catalogue

Ensembles and solos

for clarinet and violoncello

for violoncello and piano

for flute, violin and clarinet

for voice, cello and piano

  • Piccola suite carnascialesca (2017)

for alto recorder and harpsichord

  • Nini sine, spavaj sine (2016)

for flute and violin

for flute and harp, based on a poem by Szymborska

  • Ein Kind (2016)

for voice and harpsichord (one performer)

for bass-clarinet, violoncello, and percussion (one player: vibraphone, wind chimes, and tamtam)

  • Vi-Ha-Es, Fantasia su Victimae Paschali Laudes (2016)

for organ

for soprano, clarinet, trombone, viola, violoncello, text by Paul Eluard

  • Ricercare contemporaneo (2015)

for double harpsichord and lute stop

  • L’Alfa e l’Omega (2015)

for 4 sopranos, 2 trumpets and 2 trombones, text from The Book of Revelation

  • Come el vin (2015)

for soprano, baritone and piano, text by Virgilio Giotti

for harp

  • Igra kvart (Gioco di quarte) (2014)

for piccolo, flute, alto flute, oboe, english horn, clarinet, bass clarinet, and horn

  • Albero rosso (2014)

for flute

for bass guitar

for flute, clarinet, violin, violoncello, and piano

for violin, violoncello, and vibraphone

  • Pevcu

for 2 sopranos, alto, 2 clarinets, and bass clarinet, text  by F. Prešeren

  • Hudič

for voice and piano, text by Srečko Kosovel

  • Je t’adore

for tenor and piano, text from Baudelaire’s “Les fleurs du mal”

  • Contrappunti e intermezzi (2000)

for 2 flutes and female voice, text by Hermes Trismegistus

  • Spoved, (1999)

for voice and organ, text from the Freising manuscripts

Mixed ensembles of instruments from different cultures

  • Quarta e quinta (2014)

for clarinet, erhu in pipa

for viola, kemençe, harp, and ud, text from Seikilos Epitaph

  • Senza nome (2011)

for flute, clarinet, bansuri, pan flute, and sho


  • Štefan (1999/2016)

for female choir, text by S. Kosovel

for mixed choir, text by G. Menon

for mixed choir

  • Na planincah (2002)

for mixed choir


  • Trad./Antoni, Pera stous (2018)

for piano

for oboe, clarinet, and strings

  • Bartok/Antoni, Peasant song (2016)

for 4 violas and double bass

  • Bartok/Antoni, Hungarian folksong (2016)

for 4 violas and double bass

  • Bloch/Antoni, Preghiera (2016)

for 8 violoncelli

  • Debussy/Antoni, Minstrels

for basset horn, violoncello, and piano

  • Debussy/Antoni, Clair du lune

for voice, basset horn, violoncello, and piano (4 hands)

Incidental music

  • Ist san na žena (2017), Beneško Theater, stage direction Elisabetta Gustini

for recorder, harpsichord, and voice